"... - and then one night, around midnight, on the corner of Lexington and Fifty-second, when you have come really to the point of losing faith in the existence of such a crea- ture as you have been imagining for yourself even unto your thirty-second year, there she is, wearing a tan pants suit, and trying to hail a cab - lanky, with dark and abun- dant hair, and smallish features that give her face a kind of petulant expression, and an absolutely fantastic ass."
- Philip Roth, Portnoy's Complaint
Some Time This Century
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The Dawn of Man from 2001: A Space Odyssey
"The Dawn of Man" opens in the prehistoric past in the Pleistocene era - four million years ago, the location where the human race itself (evolving from primitive apes) was born. In a series of still shots, the sun rises on the dawn of civilization in a primordial landscape of arid, wasteland desert. As dawn passes and mid-day approaches on the barren African savannah, animal skeletons lie dormant on the rocky ground - the first sign of life. A peaceful band or tribe of prehistoric ape-men (Australopithecines) appear, squat and hairy, eating grass. Although herds of tapirs graze closeby, the ape-men are vegetarians who forage for grass and roots. They have not developed the means or tools necessary to attack and kill or eat the tapirs like other predators. Symbolically, there are endless eons of time that pass during which the apes live in eternal boredom - and cope with the struggle for survival. They scrape together a meager life and live a marginal existence, unable to fully protect themselves from the elements or from other competitors, predators and carnivores. A leopard leaps from a rock outcropping and pounces on an unsuspecting and defenseless ape, screeching for his life. [Brief fadeout to black.]
A group of apes scratches and chatters in groups around a slowly diminishing watering hole. A rival, warring band of ape competitors approaches the watering hole, led by an almost-upright, tall and bright man-ape [named Moonwatcher in Arthur Clarke's novel] (Daniel Richter). By shrieking, they scare away the other apes from the water and aggressively establish dominance and territoriality. During the first night, a leopard with glowing eyes guards the carcass of a fallen zebra in the moonlight. The band of vegetarian man-apes huddles protectively together in their cramped den for comfort and support - living and sleeping in fear.
In the first light of the prehistoric dawn on the second day, a tall, black, rectangular monolithic slab (THE FIRST MONOLITH), with an eerie humming sound - symbolic of the religious/spiritual unknown - materializes in the midst of their den. The massive artificial monolith, in contrast to its natural surroundings, stands in a shallow depression in the rocks where the man-apes gather around a water hole. [In Arthur Clarke's novel, the mysterious monolithic stone slab is a technological machine belonging to aliens in space, one of hundreds of such monoliths sent to Earth to test, teach and transform the apes into higher-order, intelligent beings.] The unusual, out-of-place object with straight-edges causes them to be alarmed and they react nervously. But then they approach it cautiously, drawn to its color, form, and smooth surface. The leader of the clan of man-apes is the first to reach out fearfully and hypnotically for the black object. His boldness encourages the rest of the group to gather around. In a mute, primitive, but poetic moment, they herd around it and huddle by it, just as another celestial alignment or configuration occurs. With the mysterious monolith in the foreground, the glowing Sun rises over the black slab, directly beneath the crescent of the Moon.
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